Transcending Realities: Analyzing the Mystical Aspects of Magical Realism in Usman T. Malik’s Midnight Doorways
Abstract
This research explores Usman T. Malik's Midnight Doorways: Fables from Pakistan, emphasizing the book's masterful use of magical realism. It underscores the transformative capacity of literature in reshaping cultural frameworks within the Pakistani setting. It emphasizes how literature has the power to change cultural frameworks in the context of Pakistan. The study looks at how Malik creatively incorporates magical realism's fictive and imaginative aspects of magical realism. The study conducts a thorough examination of Malik's Midnight Doorways using a close reading textual analysis technique and the theoretical framework of magical realism. Malik creates a realm where the lines between the supernatural and the mundane blur by weaving fantastical and supernatural elements into realistic surroundings. This allows for a more in-depth examination of multilayered tapestries. It elaborates on the understanding of the complex interplay between social discourses, cultural expressions, and storytelling within the domain of modern Pakistani literature.
Copyright Notice Submission of an article implies that the work described has not been published previously (except in the form of an abstract or as part of a published lecture or academic thesis), that it is not under consideration for publication elsewhere, that its publication is approved by all authors and tacitly or explicitly by the responsible authorities where the work was carried out, and that, if accepted, will not be published elsewhere in the same form, in English or in any other language, without the written consent of the Publisher. The Editors reserve the right to edit or otherwise alter all contributions, but authors will receive proofs for approval before publication. Copyrights for articles published in IJSSA journal are retained by the authors, with first publication rights granted to the journal. The journal/publisher is not responsible for subsequent uses of the work. It is the author’s responsibility to bring an infringement action if so desired by the author.
